L.A. Times - Entertainment — “Elevator to the Gallows” is as elegantly fatalistic as it sounds. Made in 1957, at a turning point in French cinematic history, it's saturated with the romantic atmosphere of Paris. It drew upon several major talents – director Lo... more info

Core News — “After last week’s focus on the songs of David Bowie, Iggy returns to his normal “Confidential” show format this week with tracks by Sleaford Mods, PJ Harvey, Let’s Eat Grandma and Miles Davis. Iggy’s musical legacy has inspired and energ... more info

Yahoo! Music — Music lovers have flocked to Newport during Rhode Island summers since the 1950s to enjoy open-air performances by some of the music world's biggest names. Miles Davis, Billie Holiday and Led Zeppelin thrilled audiences at the jazz fest, while Bob Dy... more info

Rolling Stone — Erykah Badu directed the humorous clip for her collaboration with Robert Glasper, "Maiysha (So Long)." Glasper's versions of Miles Davis' recordings, Everything's Beautiful, is out now. In the video, Badu plays a "neurotic, beatnik chanteuse" name... more info

Stereogum — Robert Glasper released the wonderful collection of reimagined Miles Davis tunes Everything’s Beautiful a little less than a month ago. It had a host of notable features from Bilal, Illa J, KING, Stevie Wonder, Hiatus Kaiyote, and many others. One ... more info

Aquarium Drunkard — It’s a great idea to cover Brian Eno’s deathless “Music For Airports 1/1” in the style of Miles Davis’ electric jazz masterpiece In A Silent Way. But does the Long Beach, CA-based collective Psychic Temple actually deliver on this ... more info

Rolling Stone — Pianist Robert Glasper has spent the past ten years decorously disassembling whatever walls folk may imagine separate the romantic funk of modern R&B from the abstract truths and monster chops of modern jazz. This not-having-two-effs-to-give qu... more info

New York Times — Mr. Glasper, a pianist, and a slew of guests on his new album, “Everything’s Beautiful,” pay tribute to Davis with remixes from his archive. more info

L.A. Times - Entertainment — "The jazz community kind of kills the alive to praise the dead," Robert Glasper told The Times in a 2012 interview for his album “Black Radio.” In addition to being successful enough to spawn a sequel, that record forged a path through ja... more info

L.A. Times - Pop & Hiss — "The jazz community kind of kills the alive to praise the dead," Robert Glasper told The Times in a 2012 interview for his album “Black Radio.” In addition to being successful enough to spawn a sequel, that record forged a path through ja... more info