DJ Shadow: The Mountain Will Fall review – cut-and-paste turtablist's inventive return

(Mass Appeal) Coinciding with the comeback of fellow plunderphonic luminaries the Avalanches, Josh Davis returns with his first album in five years. Like the former, he no longer works exclusively in samples – though nor has he abandoned them entirely: an ambient 1970s composition forms the basis of the title track. But whether or not the majority of the music is original often seems besides the point – the irreverent, and sometimes slightly irritating, cut-and-paste aesthetic rema...

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