L.A. Times - Entertainment — What's up and what's down in pop culture this week. UNDERRATED St. Paul & the Broken Bones: This Alabama R&B group has carved out a comfortable niche in recent years with a throwback sound led by flame-throwing singer Paul Janeway, who looks a little... more info
L.A. Times - Pop & Hiss — What's up and what's down in pop culture this week. UNDERRATED St. Paul & the Broken Bones: This Alabama R&B group has carved out a comfortable niche in recent years with a throwback sound led by flame-throwing singer Paul Janeway, who looks a little... more info
New York Times — The song “Respect†helped Aretha Franklin soar to fame and became an anthem for the women’s rights movement. But radio royalties for the song went to its writer, Otis Redding. more info
Uncut —
Dock Of The Bay Sessions features songs he was working on before his death in late 1967
Dock Of The Bay Sessions features songs he was working on before his death in late 1967
The post Otis Redding’s final recordings collated on new comp appea... more info
New York Times — After a breakthrough at Monterey Pop, Redding returned to California, looked out at the water and wrote the song that would define his legacy. Fifty years later, the track will be celebrated at the Apollo Theater. more info
JamBase — The second of three Chris Robinson Brotherhood shows at The Fillmore in San Francisco ended with a pair of Otis Redding cover debuts.
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