The self-titled, self-released debut album from Brooklyn effects-pedal abusers A Place to Bury Strangers took bits and pieces from any number of 80s-vintage noise-pop heroes: Hissing drum machine rattles from Cabaret Voltaire, morose pop hooks from Depeche Mode, slithery raunch from Nick Cave and the Bad Seeds, layered guitar scree from Sonic Youth. And now that they've signed with Mute Records, APTBS will release their second album on the same label where those bands recorded some or all of t...
Pitchfork — The self-titled, self-released debut album from Brooklyn effects-pedal abusers A Place to Bury Strangers took bits and pieces from any number of 80s-vintage noise-pop h... more info