Don't be daunted by his five-hour-long string quartet – Feldman offers a truly intimate encounter with the substance of soundSomething strange starts to happen when you listen to American composer Morton Feldman's long, long – and I mean long – late chamber pieces. I'm talking about the 80-minute Piano and String Quartet, the four and a half hours of For Philip Guston (which you can hear live at the Huddersfield Contemporary Music festival on 21 November 2012) or the biggest of them all, t...
Guardian Music — Don't be daunted by his five-hour-long string quartet – Feldman offers a truly intimate encounter with the substance of soundSomething strange starts to happen when you... more info