Brian Eno: Lux – review

(Warp)Brian Eno's first solo album since 2005 is a 75-minute wash of keyboards and strings nominally divided into four parts, though it's so seamlessly soothing that it's a struggle to distinguish one segment from the next. It grew out of a sound installation he made for a gallery in Turin, and, aptly, is the kind of contemplative sound-cloud that could be titled Music for Galleries. In fact, Lux owes something to his Music for Airports; it similarly glides along, rarely demanding your attentio...

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