Clod Ensemble: Silver Swan – review

Tate Modern, LondonHow can a dance performance hope to fill the vaulting emptiness of the Turbine Hall? Merce Cunningham's solution, in his brilliantly memorable 2003 Tate Event, was to use the audience as well as the performers to animate the space, having the spectators spread out randomly in and among the moving dancers. Alternatively, the hall can be embraced as the most monumentally architectural of stages, the audience tidied away to the sides while the dancers pit themselves against its d...

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