From Horse Feathers to Home: Peter Broderick

The alleged fusion of contemporary and classical music has been a noticeable, if somewhat subtle, force over the past several years. For me, the first time I recalled an artist blatantly mentioning the mixture as an intentional component in his own work was when previously featured German composer Max Richter proudly used the tag “post-classical” to describe his music. It sounds simple enough in its phrasing: music with elements reminiscent of classical music in an accessible moderni...

Read full article Share article