Rosas – review

Sadler's Wells, LondonNo one could accuse Belgian choreographer Anne Teresa De Keersmaeker of pandering to her audience. She follows a ferociously single-minded path, often at considerable length, and has a patrician disregard for such distractions as intervals. You can either love it or leave it. I love that: it's brave, she's bright, and the results can be revelatory.I could not, however, love The Song, made for nine men and one woman from her company, Rosas. Like her best work, it investigate...

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