Unassumingly excellent moonlight romps under the milky-way night
Having delved into glossier synth-pop on Night of The Furies, The Rosebuds have returned with guitars cranked, reverb in the mix and a warmth and twirl in their arrangements that recall The Church. “Cape Fear” glides by like a silenced black motorcycle, while “Border Guards” is like The National without as much languid self-interest. There’s a haunting quality to these songs that belies the album’s casual four-track o...
Paste Magazine — Unassumingly excellent moonlight romps under the milky-way night
Having delved into glossier synth-pop on Night of The Furies, The Rosebuds have returned with guitars c... more info