(Friends with Benefits) Xeno & Oaklander's Liz Wendelbo

I remember watching Swedish director Ingmar Bergman's 'The Magic Flute' (1975) as a kid. My mum took me to see it because it was my favorite piece of music at the time. Maybe I identified with the fact that Mozart was a child when he wrote it. This was a time before hitting puberty, so I had no notion of pop music yet, let alone underground or subversive music. I was still bathed in the naive yet melancholic light of childhood. While watching the film I thought it was strange t...

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