Album Review: Jeremy Enigk, “Return of the Frog Queen”

Sub Pop Records recently reissued Jeremy Enigk’s Return of the Frog Queen, a circa-‘96 solo debut whose first printing remains, justifiably, a much-sought-after cult classic. It also has become, over the years, a rather interesting point of departure from Enigk’s tenure with the on-again/off-again Sunny Day Real Estate and a lightning rod for dialogue about […]

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