All aboard.

S. Piliso & His Super Seven - Kuya Hanjwa. Look, I'm not the guy to sort out all the political, social, sociopolitical, and other implications of the indie fascination with South African, and specifically Sowetan, music. There's a lot to say about it, especially when it comes to the long American history of appropriation, and there are no easy answers. I will say this: I love that first Vampire Weekend record, but I think the band's characterization of their music as "Upper West S...

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