The resurgence of Bill Callahan, a truly classic underground American songwriter, is appreciated — New Yorker and NY Times profiles; positive, historicizing Pitchfork review for newest dispatch Apocalypse — but it’s strange how his early, noisy, and especially dark albums have, more or less, been left out of the discussion. The cleaned-up, buttoned-down version of [...]
Stereogum — The resurgence of Bill Callahan, a truly classic underground American songwriter, is appreciated — New Yorker and NY Times profiles; positive, historicizing Pitchfork r... more info