Cate Le Bon: Crab Day review – a rubber-band-ball of energy and invention

(Turnstile) Related: Cate Le Bon: how Cardiff’s finest found a California state of mind After third album Mug Museum, Welsh art-popper Cate Le Bon has turned the last of her pottery-wheel twee and, on Crab Day, creates a springy rubber-band-ball of angular guitar, squalling saxophone and elastic basslines. Single Wonderful, for example, sounds like it has popped out of a Warhol Campbell’s soup can. Mostly, though, the album has the eccentric air of an am-dram troupe who have raided the dress...

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