Cheryl: A Million Lights – review

(Polydor)We're witnessing the Guettaisation of chart music: everything sounding like David Guetta made it. Or, indeed, Calvin Harris (who produced Call My Name here): both he and Guetta pump out indeterminate Euro-house club bangers devoid of personality. That is also a problem facing Britain's sweetheart, the impossibly beautiful Cheryl Cole. Her wobbly performance at the jubilee concert was as unconvincing as a lot of these tracks, particularly post-break-up posturings such as Screw You and Se...

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