On her third album, LATE SLAP, the Serbian-Canadian musician warbles, coos, and ululates like an art deco songbird. Gliding across meticulously constructed orchestral synth-pop with emotional intensity regulated at a slow simmer, Gavanski combines classic songcraft with a mishmash of hyper-modern motifs, tempering the tragic clown with a sense of stillness. Fans of Cate Le Bon’s manicured post-punk or last year’s excellent album from En Attendant Ana might find another new favorite here.
The...
Aquarium Drunkard — On her third album, LATE SLAP, the Serbian-Canadian musician warbles, coos, and ululates like an art deco songbird. Gliding across meticulously constructed orchestral syn... more info