Films & Windows

We know Lawrence by now. Peter Kersten spent the first decade of the aughts making sure of that, releasing four albums with track titles and vibes like he was Hamburg's minimalistic house Morrissey. Despite an audible reverence for early Chicago house, his own music has always been a bit too florid to scan as purely functional dance music. Even though he uses familiar structures, he always arrives at an emotional ambiguity that makes his music, and the music he releases on his Dial label, a...

Read full article Share article