Holy Motors – review

Some may find it deeply irritating, but Leos Carax's dreamlike and richly allusive movie is destined to become a classicNow 51, the French enfant terrible emeritus Leos Carax is an immensely talented and highly self-conscious filmmaker who has made a mere five features in the past 28 years. His nom de plume (or as he might put it, using a term popular once among the Nouvelle Vague directors he admired, nom de caméra stylo) is an anagram of the first two parts of his real name, Alex Oscar Dupont...

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