Interpol: Marauder review – New York nihilists escape the noughties

(Matador)They seemed shackled to their early success – but this affecting and immediate album sees Interpol break free of the pastDespite its upbeat subtitle – Rebirth and Rock and Roll in New York City – Lizzy Goodman’s 2017 history of the Strokes et al, Meet Me in the Bathroom, ends up an oddly depressing read. At its conclusion, virtually all of the major players in the story – from the Strokes to Yeah Yeah Yeahs – find themselves in reduced circumsta...

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