Kllo Backwater

Ghostly International has never been afraid to dip its toes into the pop waters—the low-toned, Berlin-period Bowie-isms of Matthew Dear and the swirling, overstuffed swoon of Deastro come to mind, but there are plenty of other pop-tinged nuggets nestled throughout the label’s discography. But rarely has Ghostly embraced pure pop as fully as it has […]

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