In 2011, photographer Sebastian Mayer was embedded on the front lines in Libya just as the Arab Spring was beginning its downward ascent. He had been in Afghanistan as a frontline war photographer a year before, and found that his photographs, while terrifying to look at, lacked the other component that made being in combat so visceral and encompassing: sound. Once in Libya, he rigged a Samson H4 recorder and hung the microphone out of his jacket. Meyer was in Ras Lanuff one day when he came wit...
XLR8R — In 2011, photographer Sebastian Mayer was embedded on the front lines in Libya just as the Arab Spring was beginning its downward ascent. He had been in Afghanistan as a ... more info