Miles Kane: The Colour of the Trap – review

(Columbia)If the past is a foreign country, Miles Kane has a green card for the 1960s, so firmly does his musical vision reside in that time. Where his work with Alex Turner as the Last Shadow Puppets was hailed for its reimagining of Scott Walker-style grandeur, his solo debut sees the decade through a magpie's eye. Jaunty Motown harmonies (Quicksand) are juxtaposed with pulse-raising rock'n'roll riffs (Come Closer) calling to mind everyone from the Stooges to the Supremes. Kane's textures ar...

Read full article Share article