Her voice is the first thing you hear. After a quick breath, Natalie Prass enters the frame, accompanied by orchestral backing so minimal you barely notice it at first. “I don’t feel much,” she announces. “Afraid I don’t feel anything at all.” Her tone is poised and delicate, traversing her upper register with a forceful softness, outlining the demise of a doomed romance. She sounds like a wounded bird, majestic and weary — or, as has often been noted, the hero of an old Disney ...
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Her voice is the first thing you hear. After a quick breath, Natalie Prass enters the frame, accompanied by orchestral backing so minimal you barely notice it at first... more info