Papercuts: Fading Parade – review

(Sub Pop)If you've never heard of Jason Quever, that might be just the way the San Francisco-based thirtysomething likes it. In interviews, he's prone to say: "I don't necessarily like to be the centre of attention" or "I'm not a very social person" – and this diffident detachment characterises the music he makes as Papercuts absolutely. Listening to Fading Parade, his fourth album, feels peculiarly like eavesdropping: its songs, an acutely knowing blend of 1960s wall of sound atmospherics and...

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