Paradise

Last year, Robert Hood released the latest in a series of jazz-influenced concept albums, Motor: Nighttime World 3. For the producer, who'd been both lionized and dismissed over the course of his career as the minimal-techno archetype, Motor's lushness affirmed that his music appealed as much for its basic soulfulness as its ascetic sound design. Floorplan is Hood's outlet for his more overtly humanistic side—disco, techno, house, and gospel are fused with expert alchemy on this...

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