Pendulum | Pop review

Wembley Arena, LondonThose with long memories may recall the brief mid-90s period when record labels concluded that drum'n'bass was going to achieve vast crossover commercial success. It was the most grippingly futuristic music out, and seemed to have a few potential stars – Goldie among them – but it wasn't to be, largely because drum'n'bass artists who took the major labels' money tended to spend it on records that made the Emerson, Lake and Palmer album with the side-long piano concerto o...

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