REVIEW: YAKUZA’S BEYUL

I’ve always thought “avant garde metal” is an odd duck micro-niche. Since so much metal is (ostensibly) devoted to pushing the parameters of form, tempo, technicality, production, or listener tolerance, an “avant garde” for metal is like asking for a sandwich with extra sandwich in it: redundant certainly, delicious potentially. Regarding diet, we’d all do [...]

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