Regina Spektor: What We Saw from the Cheap Seats – review

(Sire)Recently asked how this album differed from her five previous studio releases, Regina Spektor said she had used more horns and layering, the inference being that she hasn't reinvented any wheels. And there's really no need: What We Saw from the Cheap Seats is rich in her own brand of creativity. If there's a gripe about this album, in fact, it's that there's so much to take in – she skips from Oh Marcello (a jaunty mix of Don't Let Me Be Misunderstood, Edie Brickell's What I Am and a co...

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