Review: ‘Gloria Bell’ shows Julianne Moore thriving — and dancing — through middle age
It's a rare phenomenon for a director to remake their own movie, but this year, there are already two instances of filmmakers retrofitting their foreign-language darlings for American audiences. Hans Petter Moland turned his Scandinavian thriller “In Order of Disappearance†into the Liam Neeson...
L.A. Times - Entertainment — It's a rare phenomenon for a director to remake their own movie, but this year, there are already two instances of filmmakers retrofitting their foreign-language darlings... more info