Review: 'The Good, The Bad, And The Weird' Is All Of Those Things

Anyone who has seen (maybe experienced is the right word) Takashi Miike's bizarro "Sukiyaki Western Django," with its surreal, digitally painted backdrops and cringe-inducing Quentin Tarantino performance, knows how painful an Asian/Western hybrid can be, especially when assisted by today's cutting edge technologies. So, it's undoubtedly with some trepidation that many will greet Korean filmmaker

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