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Review: Jessye Norman brought gospel, opera and cabaret to San Francisco Symphony's opening gala

Norman was magnetic, especially with the ballads in a set of Duke Ellington tunes: the billowing lines of 'Heaven,' the semi-stasis of 'Solitude' and, best of all, the noble soul of 'Come Sunday,' where she matched her 'correct' academic side with her inner church.

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00:13 on September 9 2010

Review: Jessye Norman brought gospel, opera and cabaret to San Francisco Symphony's opening gala

Mercury News, California — Norman was magnetic, especially with the ballads in a set of Duke Ellington tunes: the billowing lines of 'Heaven,' the semi-stasis of 'Solitude' and, best of all, the no... more info
Jessye Norman Solitude

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