Royal Festival Hall, LondonIt has taken Meltdown curator Richard Thompson most of his career to think of himself as a showman – for a long time he was happy to let his mesmerising guitar do his talking – but his 1,000 Years of Popular Music provides him with the perfect excuse to relax. This version came near the end of a festival week that has properly reflected Thompson's character: modest, inspiring, occasionally austere, but full of unexpected mischief and delight. He is not given to dra...
Guardian Music — Royal Festival Hall, LondonIt has taken Meltdown curator Richard Thompson most of his career to think of himself as a showman – for a long time he was happy to let his ... more info