SCO/Ticciati – review

Usher HallA good concert fits together like a good album, each piece working best in the company of its neighbours. Conductor Robin Ticciati plans accordingly – not just at the stage of choosing repertoire, but in tailoring his performances to fit their context.At least, maybe that's why he took Ravel's Le Tombeau de Couperin, opening the Scottish Chamber Orchestra's Edinburgh festival programme, quite so fast. In isolation it would have been too fast, and too strict; it missed the Forlane's m...

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