Salad Days Turns 10

Mac DeMarco was always an odd fit for Captured Tracks. By the time he’d signed with the buzzy Brooklyn label in 2012, it was an indie hit factory, releasing debut albums from bedroom acts like Beach Fossils and Wild Nothing, American kids obsessed with the sounds of 1980s Britain and the undying melancholy those records conveyed. They were a far cry from their Canadian labelmate DeMarco, whose first release for the label, Rock And Roll Nightclub, sounded like Elvis fronting Ween. His first ...

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