Sam Smith’s too-sad-to-be-true-love ballads dominated last year, but it’s always when his brocade voice is paired with equally meticulous beats and synths that his songs get under your skin. “Latch” is what introduced him to the world, courtesy of Disclosure’s itchy house production, but most of In The Lonely Hour stuck to bare bones piano […]
Stereogum — Sam Smith’s too-sad-to-be-true-love ballads dominated last year, but it’s always when his brocade voice is paired with equally meticulous beats and synths that his so... more info