THE WOUNDED KINGS’ IN THE CHAPEL OF THE BLACK HAND COULD DRIVE YOU MAD

Sharie Nayland‘s voice is like ice water and mercury dripped down the small of your back in a darkened room. She’s like a post-apocalypse metal Grace Jones or Eartha Kitt, her vibrato just too-tremulous enough to give this music the exact amount of the creeps it needs. Avoid any acid while listening to The Wounded Kings’ [...]

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