When Michael Lerner recorded the self-titled Telekinesis debut, it was full of travel imagery, of wishes to be with someone he was separated from and the listlessness of constantly wanting to be elsewhere. The follow-up, 12 Desperate Straight Lines, is wall-to-wall heartache, rumination on said heartache and, for good measure, a Paul Simon reference. No [...]
Aquarium Drunkard — When Michael Lerner recorded the self-titled Telekinesis debut, it was full of travel imagery, of wishes to be with someone he was separated from and the listlessness of ... more info