The Gentle Temper of Benoît Pioulard

I suppose you could say that it proved very indicative of Tom Meluch’s nature when he recorded his debut EP, Enge , on a built-in microphone embedded in a borrowed laptop. Immediately, I know what some of you may be thinking: Great, another one of these lo-fi artists who muddle their barren melodic content behind inaudible strains of static and singular instrumentation. Such an opinion can easily be deemed linearly assumed but occasionally accurate, though for Meluch it sounds as if any ...

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