The Kills: Blood Pressures - review

(Domino)The Kills spend more time on the gossip pages than the music pages these days, courtesy of James Hince's relationship with Kate Moss. Their fourth album may not change that, but finds them turbo-charging their sound, the familiar primeval bluesy rock combined with bigger grooves and almost Burundi-type drumming. This shift is most effective on Future Starts Slow and Nail in My Coffin, which drip post-punk guitar riffs and pure malevolence. The gear changes frequently, with Hince's Wild ...

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