Tim Hecker Isn’t Afraid To Slow Down

After half a decade spent voraciously writing about left-field music, it takes a lot to get me antsy before an interview. Nonetheless, there are butterflies walloping in my stomach as I admit Tim Hecker to my Zoom meeting. The Montréal-based composer is calling in from his studio, and inaugurates our chat with a quick virtual tour of the purple lit room. A humble rack of modular synthesizers is perched alongside a mixing console, which sits parallel to an understated computer monitor. A few ...

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