Deep Inside: Juan Atkins & Moritz Von Oswald 'Borderland'

"This is my torture room," Moritz von Oswald says, seated in his home studio. Technically, we're in the torture room's waiting area, a space outfitted with nice leather couches, a few test pressings, studio monitors, and a window onto the backyard garden that lets in a steady stream of birdsong and the sound of a brief downpour, the only respite from this muggy Berlin day. But the sounds that are pulsing from the studio—an extended rework of Model 500's classic "Starlight"—whe...

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